S.B. Walker

Deering Oaks, Portland, 2018

Archival pigment print

30" x 24"

S.B. Walker

Ice Disk, Westbrook, 2019

Archival pigment print

30" x 40"

S.B. Walker

Johnson, Vermont, 2013

Archival pigment print

24" x 30"

S.B. Walker

Knight, Rockland, 2019

Archival pigment print

24" x 30"

S.B. Walker

Labrador Pond, Sumner, 2015

Archival pigment print

30" x 40"

S.B. Walker

Near the Frost's, Lincoln, 2011

Archival pigment print

40" x 50"

S.B. Walker

Mt. Kineo from Rockwood, 2015

Archival pigment print

30" x 40"

S.B. Walker

Ice Fisherman, Rabbit Fur Mitts, Walden Pond, January, 2011

Archival pigment print

16" x 20"

S.B. Walker

Cumberland, 2016

Archival pigment print

30" x 24"

S.B. Walker

Portland, 2019

Archival pigment print

24" x 30"

S.B. Walker

Target, Ice Melt, Walden Pond, 2011

Archival pigment print

30" x 40"

S.B. Walker

The Milky Way, Walden Pond, October, 2010

Archival pigment print

16" x 20"

S.B. Walker

The Wave, Lincoln, 2012

Archival pigment print

40" x 50"

S.B. Walker

Window, Rockland, 2022

Archival pigment print

16" x 20"

S.B. Walker

Winter Apples, Rockland, 2019

Archival pigment print

40" x 50"

Press Release

S.B. Walker is an artist living and working in Maine.

His works have been exhibited internationally and can be found in public and private collections including the Museum of Fine Arts (Boston), the Addison Gallery of American Art, the Farnsworth Art Museum, the Smith Museum of Art, the David Winton Bell Gallery at Brown University, the Thoreau Institute, the Houston Museum of Fine Arts, the Peabody Essex Museum, and the Paul Sack Photographic Trust. His projects have been featured in The New York Times, The Guardian, Smithsonian Magazine, Hyperallergic, Aperture, The Atlantic, etc.

In 2017 Walker released his first published monograph Walden which features an afterword by Yale scholar Alan Trachtenberg (Kehrer Verlag , 2017). Works from his series examining the Polaroid Corporation are featured in a traveling museum exhibition titled The Polaroid Project, Art and Technology. Starting at the Amon Carter Museum in Texas, the exhibition has toured multiple venues in Europe and Asia, and returned to the MIT Museum in the fall of 2019. Most recently, his work was included in a survey of American photography curated by Sandra Philips titled American Geography (Radius Books/SFMoMA).

His work is currently represented by Janet Borden Inc., New York, NY.

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